{"title":"Rock","description":"\u003cp\u003eRock on vinyl, from classic rock and hard rock to punk, indie and beyond. Browse new and used records at Power Plant Records in San Clemente, CA, in store and online.\u003c\/p\u003e","products":[{"product_id":"sleep-holy-mountain-1","title":"Sleep - Sleep's Holy Mountain (RSD Essential Indie Exclusive Green Vinyl)","description":"\u003cp\u003e\u003cstrong\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eTitle:\u003c\/strong\u003e Sleep - Sleep's Holy Mountain\u003cbr\u003e\n\u003cstrong\u003eYear\/Genre:\u003c\/strong\u003e 1992, Stoner Metal, Doom Metal, 10\/26\u003cbr\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New - RSD Essential Translucent Green Merge Vinyl (LM) | Members: Sleep (N\/A) | Producer: Sleep, Billy Anderson\u003cbr\u003e\n\u003cstrong\u003eCultural Facts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Demo Became the Album:\u003c\/strong\u003e Sleep sent these recordings to Earache Records as a demo. The label signed the band right away and put the tapes out exactly as they arrived.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\"Stoner\" Is Right There in the Lyrics:\u003c\/strong\u003e Two songs, \"Holy Mountain\" and \"From Beyond,\" use the word \"stoner,\" and the metal press hailed Sleep and Kyuss as leaders of the emerging stoner metal scene.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHarmony Korine Put It in Gummo:\u003c\/strong\u003e \"Dragonaut\" and the 47-second \"Some Grass\" both turn up in Korine's 1997 cult film Gummo.\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":23338437017658,"sku":"","price":37.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/products\/220px-Sleep_27s_Holy_Mountain.jpg?v=1560478553"},{"product_id":"alice-in-chains-dirt-import","title":"Alice In Chains - Dirt","description":"\u003cp\u003e\u003cstrong\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eTitle:\u003c\/strong\u003e Alice In Chains - Dirt\u003cbr\u003e\n\u003cstrong\u003eYear\/Genre:\u003c\/strong\u003e 1992, Grunge, Alternative Metal, 10\/26\u003cbr\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New - 2LP (LM) | Members: Alice In Chains (N\/A) | Producer: Dave Jerden, Alice In Chains\u003cbr\u003e\n\u003cstrong\u003eCultural Facts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003e\"Rooster\" Was Written for His Dad:\u003c\/strong\u003e Jerry Cantrell wrote \"Rooster\" about his father, Jerry Cantrell Sr., a Vietnam veteran whose childhood nickname was Rooster. Cantrell called the song the start of the healing between the two of them after the damage the war caused.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording Began the Day the L.A. Riots Broke Out:\u003c\/strong\u003e The Dirt sessions started on the first day of the 1992 Los Angeles riots after the Rodney King verdict. Cantrell was in a store buying beer when a man walked in and started looting the place.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNot Who Fans Thought on the Cover:\u003c\/strong\u003e For years fans assumed the woman sinking into the cracked desert was Layne Staley's girlfriend Demri Parrott, but photographer Rocky Schenck revealed it was model and actress Mariah O'Brien. Staley called the image \"revenge,\" since the title song was about someone who had buried him.\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":32627467845707,"sku":"","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/products\/1605184.jpg?v=1594848495"},{"product_id":"molly-hatchet-beatin-the-odds","title":"Molly Hatchet - Beatin' The Odds [8]","description":"\u003cp\u003e\u003cstrong\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eTitle:\u003c\/strong\u003e Molly Hatchet - Beatin' The Odds\u003cbr\u003e\n\u003cstrong\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1980, Southern Rock, Hard Rock, Jacksonville, Florida 10\/26\u003cbr\u003e\n\u003cstrong\u003eMatrix #:\u003c\/strong\u003e FE 36572 (Epic US; label AL 36572; runout not legible in photo)\u003cbr\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e EX (LM) | \u003cstrong\u003eMembers:\u003c\/strong\u003e Molly Hatchet (N\/A) | \u003cstrong\u003eProducer:\u003c\/strong\u003e Tom Werman\u003cbr\u003e\n\u003cstrong\u003eCultural Facts:\u003c\/strong\u003e      [8]\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eNamed Out of a Tractor Hat:\u003c\/strong\u003e Back when they were changing band names every couple of weeks to keep working Jacksonville's dozen rock clubs, each member wrote three names and dropped them into a John Deere hat. The last slip left in the hat was Molly Hatchet, which founder Dave Hlubek said came from Hatchet Molly, a legendary axe murderess. Fans started printing bumper stickers before the band could change it again.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHired After Three Songs:\u003c\/strong\u003e Jimmy Farrar was back home in LaGrange, Georgia working a regular job and singing in a bar band called Raw Energy when a former Hatchet roadie got his tape to the band's management. Molly Hatchet rented a club called the Warehouse, set up their whole stage, heard him sing three songs and hired him on the spot. Beatin' The Odds was his first album with them, replacing Danny Joe Brown, who had left over health problems.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRonnie Van Zant's Unfinished Project:\u003c\/strong\u003e Before they had a record deal, Lynyrd Skynyrd's Ronnie Van Zant took the band under his wing, let them cut songs in Skynyrd's studio and was lined up to produce them. Drummer Bruce Crump later said the plan ended when the 1977 Skynyrd plane crash killed Van Zant. 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Tyler dried it out for a week, put on the four strings it could hold, and wrote \"Mama Kin\" on it.\u003c\/li\u003e\n\u003c\/ol\u003e\n","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":32909446676555,"sku":null,"price":27.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/44yry8bdpxqf8ecodi16kj907.jpg?v=1792799416"},{"product_id":"steely-dan-gaucho-1","title":"Steely Dan - Gaucho [38]","description":"\u003cp\u003e\u003cstrong\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eTitle:\u003c\/strong\u003e Steely Dan - Gaucho\u003cbr\u003e\n\u003cstrong\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1980, Jazz Rock, Yacht Rock, Los Angeles, California 10\/26\u003cbr\u003e\n\u003cstrong\u003eMatrix #:\u003c\/strong\u003e MCA-6102 (MCA Records)\u003cbr\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Ex (LM) | \u003cstrong\u003eMembers:\u003c\/strong\u003e Donald F (48' - ), Walter B (50' - 17') | \u003cstrong\u003eProducer:\u003c\/strong\u003e Gary Katz\u003cbr\u003e\n\u003cstrong\u003eCultural Facts:\u003c\/strong\u003e      [38]\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eA $150,000 Drummer Named Wendel:\u003c\/strong\u003e Tired of great drummers missing tiny details across endless takes, engineer Roger Nichols built a custom sampling computer he named Wendel that could fire drum sounds in perfect time. It reportedly cost about $150,000 to build, years before samplers were standard studio gear, and it is all over Gaucho.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Song an Assistant Erased:\u003c\/strong\u003e Steely Dan worked for weeks on a song called \"The Second Arrangement,\" which people who heard it rate as one of the best things from the sessions. An assistant engineer accidentally recorded over most of the finished track, and instead of trying to rebuild it, Becker and Fagen dropped it from the album.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKeith Jarrett Got a Writing Credit:\u003c\/strong\u003e Jazz pianist Keith Jarrett heard his 1974 tune \"'Long As You Know You're Living Yours\" in the title track and took legal action. 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Herbert brought Perry on the road, introducing him to Fleischman as the cousin of a crew member, and had him sing at a Long Beach soundcheck while Fleischman was kept busy elsewhere. Perry's first show came in October 1977 at San Francisco's Old Waldorf, to a skeptical crowd.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNeal Schon Turned Down Clapton at 15:\u003c\/strong\u003e As a teenage prodigy, Neal Schon was invited by Eric Clapton to join Derek and the Dominos in England. 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The thin mountain air and the room's sound are part of the record's lore.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Bitch Is Back Was a Dare:\u003c\/strong\u003e The Bitch Is Back leaned into Elton's flashy public persona on purpose. Radio winced, fans loved it, and it became one of the album's defining singles.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDon't Let the Sun Go Down on Me Almost Stalled:\u003c\/strong\u003e Elton nearly shelved Don't Let the Sun Go Down on Me because he hated his vocal. 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Bumble and the Stingers, became the playful coda fans yelled for on the Pictures tours.\u003c\/li\u003e\n\u003c\/ol\u003e\n","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":40610418589883,"sku":"","price":17.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/products\/R-1542667-1227222110_jpeg.jpg?v=1623886044"},{"product_id":"wings-2-wings-over-america-1","title":"Wings - Wings Over America [9]","description":"\u003cp\u003e\u003cstrong\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eTitle:\u003c\/strong\u003e Wings - Wings Over America\u003cbr\u003e\n\u003cstrong\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1976, Pop Rock, Arena Rock, London, England 10\/26\u003cbr\u003e\n\u003cstrong\u003eMatrix #:\u003c\/strong\u003e SWCO-11593 (Capitol, 3 LP)\u003cbr\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e VG (LM) | \u003cstrong\u003eMembers:\u003c\/strong\u003e Wings (N\/A) | \u003cstrong\u003eProducer:\u003c\/strong\u003e Paul McCartney\u003cbr\u003e\n\u003cstrong\u003eCultural Facts:\u003c\/strong\u003e      [9]\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eA Bootleg Made It a Triple:\u003c\/strong\u003e Wings Over America was planned as a two-record set until a bootleg called Wings from the Wings started selling. It was a triple album on red, white and blue vinyl holding the entire June 23, 1976 show at the Los Angeles Forum. McCartney answered by making the official album three records too, and most of what you hear here comes from that same Forum night.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Bathtub Story Wasn't True:\u003c\/strong\u003e The American leg of the tour started nearly a month late because guitarist Jimmy McCulloch broke his finger in a Paris hotel. Wings told the press he slipped in the bathtub. The real story, told later, is that he broke it drunkenly smashing a hotel television.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA No. 1 Hit at Sixteen:\u003c\/strong\u003e Years before Wings, McCulloch was the teenage guitarist in Thunderclap Newman, a band Pete Townshend of the Who put together and produced. Their \"Something in the Air\" went to No. 1 in the UK in 1969 when McCulloch was 16, with Townshend secretly on bass under the alias \"Bijou Drains.\" On this album McCulloch sings his own song, \"Medicine Jar.\"\u003c\/li\u003e\n\u003c\/ol\u003e\n","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":40637811818683,"sku":"","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/evywtnzim9uenpsr0tcbwd6fi.jpg?v=1793134455"},{"product_id":"crosby-stills-nash-young-so-far","title":"Crosby, Stills, Nash \u0026 Young - So Far [16]","description":"\u003cp\u003e\u003cstrong\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eTitle:\u003c\/strong\u003e Crosby, Stills, Nash \u0026amp; Young - So Far\u003cbr\u003e\n\u003cstrong\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1974, Folk Rock, Country Rock, Los Angeles, California 10\/26\u003cbr\u003e\n\u003cstrong\u003eMatrix #:\u003c\/strong\u003e SD 18100 (Atlantic, US)\u003cbr\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e VG (LM) | \u003cstrong\u003eMembers:\u003c\/strong\u003e David C (41' - 23'), Stephen S (45' - ), Graham N (42' - ), Neil Y (45' - ) | \u003cstrong\u003eProducer:\u003c\/strong\u003e Crosby, Stills, Nash \u0026amp; Young\u003cbr\u003e\n\u003cstrong\u003eCultural Facts:\u003c\/strong\u003e      [16]\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eWritten From a Magazine:\u003c\/strong\u003e Neil Young wrote Ohio after David Crosby handed him Life magazine's photos of the Kent State shootings in May 1970. The band cut it within weeks and Atlantic rushed it out. At the end of the take you can hear Crosby, overwhelmed, shouting four and why.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eJoni Watched Woodstock on TV:\u003c\/strong\u003e Joni Mitchell wrote Woodstock without going. Her manager David Geffen worried she would miss her booking on The Dick Cavett Show the next day, so she stayed in a New York hotel room and watched the festival on television, then wrote the song CSNY turned into a hit.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA Vase on Ventura Boulevard:\u003c\/strong\u003e Graham Nash wrote Our House at Joni Mitchell's Laurel Canyon home after the two of them came back from breakfast and she bought a vase on Ventura Boulevard. He said he sat at her piano and finished the song in about an hour while she arranged the flowers.\u003c\/li\u003e\n\u003c\/ol\u003e\n","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":41696373964987,"sku":"","price":23.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/ebgz5bvz3z4yqn28bdl0o2cqy.jpg?v=1793652997"},{"product_id":"elvis-presley-blue-hawaii","title":"Elvis Presley - Blue Hawaii [35]","description":"\u003cp\u003e\u003cstrong\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eTitle:\u003c\/strong\u003e Elvis Presley - Blue Hawaii\u003cbr\u003e\n\u003cstrong\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1961, Soundtrack, Rock \u0026amp; Roll, Tupelo, Mississippi 11\/26\u003cbr\u003e\n\u003cstrong\u003eMatrix #:\u003c\/strong\u003e LSP 2426\u003cbr\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e VG++++ (LM) | \u003cstrong\u003eMembers:\u003c\/strong\u003e Elvis P (35' - 77') | \u003cstrong\u003eProducer:\u003c\/strong\u003e Steve Sholes, Joseph Lilley\u003cbr\u003e\n\u003cstrong\u003eCultural Facts:\u003c\/strong\u003e      [35]\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eCan't Help Falling In Love Came From Here:\u003c\/strong\u003e The ballad that later closed his live shows first appeared on this soundtrack. It was based on the old French melody Plaisir d'amour, rewritten for the Hawaii film.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Movie Was a Box-Office Machine:\u003c\/strong\u003e Blue Hawaii was one of Elvis's biggest Hollywood earners, and the LP spent months at No. 1. RCA kept the stereo LSP 2426 in print for years because demand never really quit.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePost-Army Soft Landing:\u003c\/strong\u003e Fresh out of the Army, Elvis used sunny soundtrack work like this to reset his career for the 1960s. The beach-movie formula paid the bills while the live danger of the 50s cooled off.\u003c\/li\u003e\n\u003c\/ol\u003e\n","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":42484905705659,"sku":"","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/86kaqbprlnwdhbu80tqiw982u.jpg?v=1793685134"},{"product_id":"dolly-parton-jolene","title":"Dolly Parton - Jolene","description":"\u003cp\u003e\u003cstrong\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eTitle:\u003c\/strong\u003e Dolly Parton - Jolene\u003cbr\u003e\n\u003cstrong\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1974, Country, Country Pop, Sevierville, Tennessee 11\/26\u003cbr\u003e\n\u003cstrong\u003eMatrix #:\u003c\/strong\u003e SNYL595896.1 (Alliance, RCA\/Legacy LP)\u003cbr\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New (LM) | \u003cstrong\u003eMembers:\u003c\/strong\u003e Dolly P (46' - ) | \u003cstrong\u003eProducer:\u003c\/strong\u003e Bob Ferguson\u003cbr\u003e\n\u003cstrong\u003eCultural Facts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003ePaid For With Cornmeal:\u003c\/strong\u003e Dolly was the fourth of twelve children raised in a one-room cabin near Sevierville, Tennessee. Her father paid the doctor who delivered her, Dr. Robert F. Thomas, with a sack of cornmeal.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Real Jolene:\u003c\/strong\u003e The name came from a red-haired little girl who asked Dolly for an autograph after a show. The story came from a bank teller who flirted with her new husband Carl Dean, a woman Dolly said had everything she did not.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShe Turned Down Elvis:\u003c\/strong\u003e This album has the first recording of I Will Always Love You, written as her goodbye to partner Porter Wagoner. When Elvis wanted to cut it, Colonel Tom Parker demanded half the publishing and Dolly said no, a decision that paid off when Whitney Houston's version became a worldwide hit.\u003c\/li\u003e\n\u003c\/ol\u003e\n","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":42524823519419,"sku":"","price":25.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/products\/R-2195931-1458862013-8309.jpg?v=1644526156"},{"product_id":"iggy-and-the-stooges-raw-power","title":"Iggy and The Stooges - Raw Power [47]","description":"\u003cp\u003e\u003cstrong\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eTitle:\u003c\/strong\u003e Iggy and The Stooges - Raw Power\u003cbr\u003e\n\u003cstrong\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1973, Proto-Punk, Hard Rock, Ann Arbor, Michigan 11\/26\u003cbr\u003e\n\u003cstrong\u003eMatrix #:\u003c\/strong\u003e KC 32111\u003cbr\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e EX (LM) | \u003cstrong\u003eMembers:\u003c\/strong\u003e Iggy P (47' - ), James W (49' - ), Ron A (48' - 73'), Scott A (49' - ) | \u003cstrong\u003eProducer:\u003c\/strong\u003e Iggy Pop; mixed by David Bowie\u003cbr\u003e\n\u003cstrong\u003eCultural Facts:\u003c\/strong\u003e      [47]\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eBowie Mixed the Columbia LP:\u003c\/strong\u003e David Bowie's mix of Raw Power is the one most people grew up with: Iggy and James Williamson loud, the Asheton rhythm section pushed back. Later remixes tried to undo that, but this KC 32111 is the Bowie-era sound.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eJames Williamson Changed the Band:\u003c\/strong\u003e Guitarist James Williamson replaced the earlier Fun House attack with something sharper and more rock \u0026amp; roll. Search and Destroy and Gimme Danger are his stamp as much as Iggy's.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMainMan Put Them on Columbia:\u003c\/strong\u003e Tony Defries's MainMan management (Bowie's company) got the Stooges onto Columbia after they had already imploded once. Raw Power was the comeback that still sounded like a demolition.\u003c\/li\u003e\n\u003c\/ol\u003e\n","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":42567185727675,"sku":"","price":45.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/6l6h1bbafvx37hhlkcmo5vgnm.jpg?v=1793685139"},{"product_id":"the-13th-floor-elevators-the-psychedelic-sounds-of-the-13th-floor-elevators","title":"The 13th Floor Elevators – The Psychedelic Sounds Of The 13th Floor Elevators","description":"\u003cp\u003e\u003cstrong\u003eUnoff. release.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch6 class=\"sr-only\"\u003e\u003cbr\u003e\u003c\/h6\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"f82b963c-3062-407c-878d-6c1146fc4b78\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words dark markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"178\"\u003e\u003cstrong data-start=\"0\" data-end=\"10\"\u003eTitle:\u003c\/strong\u003e The 13th Floor Elevators – The Psychedelic Sounds of the 13th Floor Elevators\u003cbr data-start=\"88\" data-end=\"91\"\u003e\u003cstrong data-start=\"91\" data-end=\"106\"\u003eYear\/Genre:\u003c\/strong\u003e 1966, Psychedelic Rock\u003cbr data-start=\"129\" data-end=\"132\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"132\" data-end=\"145\"\u003eMatrix #:\u003c\/strong\u003e 2RS 2245\u003cbr data-start=\"154\" data-end=\"157\"\u003e\u003cstrong data-start=\"157\" data-end=\"171\"\u003eCondition:\u003c\/strong\u003e Mint\u003c\/p\u003e\n\u003cp data-start=\"180\" data-end=\"201\"\u003e\u003cstrong data-start=\"180\" data-end=\"199\"\u003eCultural Facts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"202\" data-end=\"572\"\u003e\n\u003cli data-start=\"202\" data-end=\"326\"\u003e\n\u003cp data-start=\"205\" data-end=\"326\"\u003eConsidered the first album to ever use the word “psychedelic” in its title, predating the genre’s explosion nationwide.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"327\" data-end=\"438\"\u003e\n\u003cp data-start=\"330\" data-end=\"438\"\u003eTommy Hall played an amplified jug through a microphone, giving the band its unmistakable, swirling pulse.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"439\" data-end=\"572\"\u003e\n\u003cp data-start=\"442\" data-end=\"572\"\u003eRoky Erickson recorded many vocals under the influence of LSD, which the band openly credited as part of their creative process.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":42575048081595,"sku":"","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/products\/R-11432206-1520627770-4606.jpg?v=1645472679"},{"product_id":"loverboy-get-lucky-1","title":"Loverboy - Get Lucky [19]","description":"\u003cp\u003e\u003cstrong\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eTitle:\u003c\/strong\u003e Loverboy - Get Lucky\u003cbr\u003e\n\u003cstrong\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1981, Hard Rock, AOR, Calgary, Alberta 10\/26\u003cbr\u003e\n\u003cstrong\u003eMatrix #:\u003c\/strong\u003e FC 37638 (Columbia, US; label AL 37638)\u003cbr\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e VG+++ (LM) | \u003cstrong\u003eMembers:\u003c\/strong\u003e Mike R (55' - ), Paul D (46' - ), Matt F (54' - ), Doug J (57' - ), Scott S (55' - 00') | \u003cstrong\u003eProducer:\u003c\/strong\u003e Bruce Fairbairn, Paul Dean\u003cbr\u003e\n\u003cstrong\u003eCultural Facts:\u003c\/strong\u003e      [19]\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoverboy Became Loverboy:\u003c\/strong\u003e Paul Dean spotted a CoverGirl makeup ad on the back of his wife's magazine and thought Coverboy would make a good band name. The next day he called Mike Reno and said he had dreamed it should be Loverboy instead. Reno said it might work if they didn't get beaten up the first week.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFirst Gig Opening for KISS:\u003c\/strong\u003e Loverboy's very first show was opening for KISS at Vancouver's Pacific Coliseum on November 19, 1979. Dean remembered getting pelted with rolls of toilet paper, and in the clubs that followed crowds threw combs, ice cubes and quarters while chanting for Aerosmith and AC\/DC.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAn Empty Beach on a Weekday:\u003c\/strong\u003e Dean got the idea for Working for the Weekend walking around Vancouver's Kitsilano Beach on a weekday and finding it almost deserted. He figured everyone was waiting for the weekend. Reno heard the riff and changed the title to Working for the Weekend.\u003c\/li\u003e\n\u003c\/ol\u003e\n","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":42707025952955,"sku":"","price":25.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/12w0sq65ukmbnvlgqabq099mf.jpg?v=1793652998"},{"product_id":"christine-mcvie-the-legendary-christine-perfect-album","title":"Christine McVie - The Legendary Christine Perfect Album [11]","description":"\u003cp\u003e\u003cstrong\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eTitle:\u003c\/strong\u003e Christine McVie - The Legendary Christine Perfect Album\u003cbr\u003e\n\u003cstrong\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1970, British Blues, Blues Rock, Birmingham, England 10\/26\u003cbr\u003e\n\u003cstrong\u003eMatrix #:\u003c\/strong\u003e SASD-7522 (Sire, US 1976 reissue; label SASD-7522-A)\u003cbr\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e VG+ (LM) | \u003cstrong\u003eMembers:\u003c\/strong\u003e Christine M (43' - 22') | \u003cstrong\u003eProducer:\u003c\/strong\u003e Mike Vernon, Christine Perfect\u003cbr\u003e\n\u003cstrong\u003eCultural Facts:\u003c\/strong\u003e      [11]\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eArt School Sculptor and Window Dresser:\u003c\/strong\u003e Christine Perfect spent five years studying sculpture at art college in Birmingham, planning to become an art teacher. When that didn't pan out she moved to London and took a job dressing shop windows at the Dickins \u0026amp; Jones department store, before Chicken Shack pulled her back into music.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShe Drew the Kiln House Cover:\u003c\/strong\u003e After marrying John McVie she quit Chicken Shack, planning to step back from the road. She still played keyboards and sang backup on Fleetwood Mac's 1970 album Kiln House without a credit, and she also drew the album's cover illustration, months before she officially joined the band.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRenamed to Cash In:\u003c\/strong\u003e This record first came out in England in 1970 simply as Christine Perfect, on Mike Vernon's Blue Horizon label. 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Rudolf Schenker and the band refused to replace him. After two operations on his vocal cords and long vocal retraining, he came back with a wider range than before.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDon Dokken Sang the Placeholders:\u003c\/strong\u003e Don Dokken, then an unknown LA singer, was cutting his own album Breaking the Chains in the same studio. He laid down quick scratch vocals on a couple of songs, about 20 minutes of work, just to get the melodies on tape while Klaus healed. None of it was used, and Dokken ended up credited only for backing vocals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Screaming Man Is the Artist:\u003c\/strong\u003e The cover is a self-portrait of Austrian painter Gottfried Helnwein, his head wrapped in bandages with forks bent into his eyes. 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Engineers patched it up as best they could, but Becker and Fagen were so unhappy with the sound that they said they could barely stand to listen to the finished album.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA 20-Year-Old on Drums:\u003c\/strong\u003e Jeff Porcaro, son of jazz percussionist Joe Porcaro, was just 20 when he played drums on every track here except one, which went to session legend Hal Blaine. A couple of years later Porcaro co-founded Toto with other Steely Dan and L.A. session players.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOff the Road for 19 Years:\u003c\/strong\u003e Fagen hated touring, and after a run of shows in 1974 Steely Dan quit playing live completely. Katy Lied was the first album they made as a studio-only project, and the band did not go back on tour until 1993.\u003c\/li\u003e\n\u003c\/ol\u003e\n","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44770003976379,"sku":"","price":21.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/eixer4kyh5tbo6jyajtz89prm.jpg?v=1793156876"},{"product_id":"family-fearless","title":"Family – Fearless","description":"\u003cp class=\"\" data-end=\"165\" data-start=\"0\"\u003e\u003cstrong data-end=\"16\" data-start=\"0\"\u003eYear, Genre:\u003c\/strong\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e1971, Progressive Rock\u003c\/span\u003e\u003cbr data-end=\"57\" data-start=\"54\"\u003e\u003cstrong data-end=\"70\" data-start=\"57\"\u003eMatrix #:\u003c\/strong\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eUAS-5562\u003c\/span\u003e\u003cbr data-end=\"111\" data-start=\"108\"\u003e\u003cstrong data-end=\"125\" data-start=\"111\"\u003eCondition:\u003c\/strong\u003e VG Plays\u003cspan\u003e Clean \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-end=\"344\" data-start=\"167\"\u003e\u003cstrong data-end=\"183\" data-start=\"167\"\u003eDescription:\u003c\/strong\u003e\u003cbr data-end=\"186\" data-start=\"183\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eFamily’s \u003cem data-end=\"19\" data-start=\"9\"\u003eFearless\u003c\/em\u003e showcases their eclectic blend of progressive rock, jazz, and folk influences.\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eNotable for its innovative die-cut multi-layered gatefold cover, the album features standout tracks like “Between Blue and Me” and “Take Your Partners.”\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eA must-have for collectors of early '70s British prog. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-end=\"533\" data-start=\"346\"\u003e\u003cstrong data-end=\"368\" data-start=\"346\"\u003ePrice Suggestions:\u003c\/strong\u003e\u003cbr data-end=\"371\" data-start=\"368\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eNM: $20–$25\u003c\/span\u003e\u003cbr data-end=\"413\" data-start=\"410\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eVG+: $12–$18\u003c\/span\u003e\u003cbr data-end=\"455\" data-start=\"452\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eVG: $8–$12\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e11\/3\/23, CK edited 5\/12\/25 sc \u003c\/span\u003e\u003c\/p\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44819463995579,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-9286333-1478045135-5913.jpg?v=1699057233"},{"product_id":"cactus-cactus","title":"Cactus – Cactus","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Cactus - Cactus\u003cbr\u003e\u003cstrong\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1970, Rock, Blues Rock and Hard Rock, Long Island, New York 7\/26\u003cbr\u003e\u003cstrong\u003eMatrix #:\u003c\/strong\u003e SD 33-340\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e VG+, sounds great, looks good, a few marks (CC) | Members: Carmine A (46' - ), Tim B (44' - 21'), Jim M (45' - ), Rusty D (45' - 82')\u003cbr\u003e\u003cstrong\u003eCultural Facts:\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eBand Lore:\u003c\/strong\u003e Carmine Appice and Tim Bogert formed Cactus after Vanilla Fudge ended, recruiting guitarist Jim McCarty and former Amboy Dukes singer Rusty Day.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCareer Turning:\u003c\/strong\u003e Appice and Bogert had planned to form a group with Jeff Beck, but Beck’s serious 1969 car accident delayed that project and helped lead to the creation of Cactus.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduction Style:\u003c\/strong\u003e The debut combined crushing rhythm-section power with extended blues workouts, including aggressive versions of “Parchman Farm” and “You Can’t Judge a Book by the Cover.”\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e11\/5\/23 EK  7\/28\/2026 CC\u003c\/span\u003e\u003c\/p\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44820403847355,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-8990288-1472869618-5155.jpg?v=1699221662"},{"product_id":"grand-funk-railroad-closer-to-home","title":"Grand Funk Railroad – Closer To Home","description":"\u003cp data-end=\"28\" data-start=\"0\"\u003eYear\/Genre: 1970 Hard Rock\u003c\/p\u003e\n\u003cp data-end=\"50\" data-start=\"30\"\u003eMatrix #: SKAO-471\u003c\/p\u003e\n\u003cp data-end=\"67\" data-start=\"52\"\u003eCondition: VG plays great, small marks \u003c\/p\u003e\n\u003cp data-end=\"311\" data-start=\"69\"\u003eDescription: \u003cem data-end=\"98\" data-start=\"82\"\u003eCloser to Home\u003c\/em\u003e cemented Grand Funk Railroad’s status with anthems like \"I'm Your Captain (Closer to Home).\" Blending heavy rock riffs with melodic storytelling, this album became a defining moment in early ‘70s American rock.\u003c\/p\u003e\n\u003cp data-is-last-node=\"\" data-is-only-node=\"\" data-end=\"388\" data-start=\"313\"\u003ePrice Suggestions based on Matrix #:\u003cbr data-end=\"352\" data-start=\"349\"\u003eNM: $30\u003cbr data-end=\"362\" data-start=\"359\"\u003eVG+: $20\u003cbr data-end=\"373\" data-start=\"370\"\u003eVG: $12\u003cbr data-end=\"383\" data-start=\"380\"\u003eG: $8\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGreat cond. plays well\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e11\/5\/23 EK repriced 3\/3\/25 sc \u003c\/span\u003e\u003c\/p\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44820440318139,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-1035617-1418530730-7533.jpg?v=1699224201"},{"product_id":"led-zeppelin-physical-graffiti-3","title":"Led Zeppelin – Physical Graffiti","description":"\u003cp data-end=\"80\" data-start=\"0\"\u003e\u003cstrong data-end=\"80\" data-start=\"0\"\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"261\" data-start=\"82\"\u003e\u003cstrong data-end=\"92\" data-start=\"82\"\u003eTitle:\u003c\/strong\u003e Led Zeppelin – Physical Graffiti\u003cbr data-end=\"128\" data-start=\"125\"\u003e\u003cstrong data-end=\"158\" data-start=\"128\"\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1975, Rock, Hard Rock, London, England\u003cbr data-is-only-node=\"\" data-end=\"200\" data-start=\"197\"\u003e\u003cstrong data-end=\"213\" data-start=\"200\"\u003eMatrix #:\u003c\/strong\u003e 2-LP Swan Song SS 2-200\u003cbr data-end=\"240\" data-start=\"237\"\u003e\u003cstrong data-end=\"254\" data-start=\"240\"\u003eCondition: EX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"282\" data-start=\"263\"\u003e\u003cstrong data-end=\"282\" data-start=\"263\"\u003eCultural Facts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"725\" data-start=\"284\"\u003e\n\u003cli data-end=\"429\" data-start=\"284\"\u003e\n\u003cp data-end=\"429\" data-start=\"287\"\u003e\u003cstrong data-end=\"305\" data-start=\"287\"\u003eLegal Trouble:\u003c\/strong\u003e Ongoing plagiarism accusations shadowed the band’s catalog in the ’70s, fueling quiet settlements and reputation battles.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"583\" data-start=\"430\"\u003e\n\u003cp data-end=\"583\" data-start=\"433\"\u003e\u003cstrong data-end=\"448\" data-start=\"433\"\u003eBand Drama:\u003c\/strong\u003e By this era, excess and isolation were routine; touring stress and substance use deepened internal distance despite massive success.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-is-last-node=\"\" data-end=\"725\" data-start=\"584\"\u003e\n\u003cp data-is-last-node=\"\" data-end=\"725\" data-start=\"587\"\u003e\u003cstrong data-end=\"604\" data-start=\"587\"\u003eBand Tragedy:\u003c\/strong\u003e Drummer John Bonham’s 1980 death from alcohol-related asphyxiation ended the band; they refused to continue without him.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e2xVinyl\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e11\/6\/23 ob  3\/29\/24 KG 2\/25\/26 LM 3\/25\/26 LM\u003c\/span\u003e\u003c\/p\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44821120745659,"sku":"","price":38.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-12881531-1543764161-2624.jpg?v=1699318046"},{"product_id":"mccartney-mccartney-1","title":"McCartney – McCartney","description":"\u003cp\u003eYear\/Genre: 1970 Rock \u003cbr data-start=\"29\" data-end=\"32\"\u003eMatrix #: STAO-3363\u003cbr data-start=\"51\" data-end=\"54\"\u003eCondition: VG (plays great, cover worn with age)\u003cbr data-start=\"102\" data-end=\"105\"\u003eDescription: Released just as The Beatles were dissolving, \u003cem data-start=\"164\" data-end=\"175\"\u003eMcCartney\u003c\/em\u003e is a stripped-down, homespun album recorded mostly at Paul’s London home using a four-track machine. It marked his first solo effort and stood in contrast to the complex studio productions of late-period Beatles. Tracks like “Maybe I’m Amazed” reveal raw emotional clarity, while instrumental fragments and lo-fi textures offer an intimate portrait of a post-Beatles Paul reestablishing his musical identity. Its DIY charm and understated production foreshadowed indie aesthetics decades ahead of their time.\u003cbr data-start=\"684\" data-end=\"687\"\u003ePrice Suggestions based on Matrix #:\u003cbr data-start=\"723\" data-end=\"726\"\u003eNM: $35–$45\u003cbr data-start=\"737\" data-end=\"740\"\u003eVG+: $22–$28\u003cbr data-start=\"752\" data-end=\"755\"\u003eVG: $15–$20\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e11\/8\/23 sc 7\/31\/25 ob\u003c\/span\u003e\u003c\/p\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44823110942907,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-4418576-1589896483-6408.jpg?v=1699477522"},{"product_id":"sammy-hagar-voa-1","title":"Sammy Hagar – VOA","description":"\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"2e5f5a56-d04e-4a27-97e9-3d4ea3d5ea64\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"80\"\u003e\u003cstrong data-start=\"0\" data-end=\"80\"\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"82\" data-end=\"217\"\u003e\u003cstrong data-start=\"82\" data-end=\"91\"\u003eTitle\u003c\/strong\u003e: Sammy Hagar – VOA\u003cbr data-start=\"110\" data-end=\"113\"\u003e\u003cstrong data-start=\"113\" data-end=\"132\"\u003eYear\/Genre\/City\u003c\/strong\u003e: 1984, Hard Rock, Los Angeles, CA\u003cbr data-start=\"166\" data-end=\"169\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"169\" data-end=\"181\"\u003eMatrix #\u003c\/strong\u003e: GHS 24043\u003cbr data-start=\"192\" data-end=\"195\"\u003e\u003cstrong data-start=\"195\" data-end=\"208\"\u003eCondition\u003c\/strong\u003e: VG+++\u003c\/p\u003e\n\u003cp data-start=\"219\" data-end=\"238\"\u003e\u003cstrong data-start=\"219\" data-end=\"237\"\u003eCultural Facts\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col data-start=\"240\" data-end=\"641\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\n\u003cli data-start=\"240\" data-end=\"382\"\u003e\n\u003cp data-start=\"243\" data-end=\"382\"\u003e\u003cstrong data-start=\"243\" data-end=\"262\"\u003eMedia Narrative\u003c\/strong\u003e: Released just before Hagar joined Van Halen, it became retroactively framed as his last fully independent statement.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"383\" data-end=\"506\"\u003e\n\u003cp data-start=\"386\" data-end=\"506\"\u003e\u003cstrong data-start=\"386\" data-end=\"400\"\u003eBand Drama\u003c\/strong\u003e: His Van Halen entry later fueled “Hagar vs. Roth” factionalism that reshaped how fans split band eras.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"507\" data-end=\"641\" data-is-last-node=\"\"\u003e\n\u003cp data-start=\"510\" data-end=\"641\" data-is-last-node=\"\"\u003e\u003cstrong data-start=\"510\" data-end=\"527\"\u003eScene Ecology\u003c\/strong\u003e: Part of the early-’80s Southern California hard-rock economy where solo stars and bands freely cross-pollinated.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e11\/18\/23, CK\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1\/26\/26 ob \u003c\/span\u003e\u003c\/p\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44830813028539,"sku":"","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-11460575-1516754220-8930.jpg?v=1700347823"},{"product_id":"toto-toto-1","title":"Toto – Toto","description":"\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Toto - Toto\u003cbr\u003e\u003cstrong\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1978, Rock, Yacht Rock\/AOR, Los Angeles, California 6\/26\u003cbr\u003e\u003cstrong\u003eMatrix #:\u003c\/strong\u003e JC 35317\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e EX, sounds great, looks good CC | Members: David P (54' - ), Steve L (57' - ), Bobby K (47' - ), Jeff P (54' - 92'), Steve P (57' - ), David H (48' - )\u003cbr\u003e\u003cstrong\u003eCultural Facts:\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eStudio Lore\u003c\/strong\u003e Toto’s debut came from elite Los Angeles session players who had already backed major artists, giving the record a polished studio precision right out of the gate.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Narrative\u003c\/strong\u003e “Hold the Line” made the band an immediate radio force, blending hard rock guitars, slick pop hooks, and the clean musicianship that later defined yacht rock\/AOR.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePersonal Struggle\u003c\/strong\u003e Jeff Porcaro’s sudden death in 1992 at only 38 hit the studio world hard, ending the life of one of the most recorded and respected drummers of his generation.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e7\/30\/2026 CC\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44834522267835,"sku":"","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-1009598-1331063585.jpg?v=1700959279"},{"product_id":"cat-stevens-tea-for-the-tillerman-1","title":"Cat Stevens – Tea For The Tillerman","description":"\u003cp data-start=\"0\" data-end=\"80\"\u003e\u003cstrong data-start=\"0\" data-end=\"80\"\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"82\" data-end=\"249\"\u003e\u003cstrong data-start=\"82\" data-end=\"92\"\u003eTitle:\u003c\/strong\u003e Cat Stevens – Tea for the Tillerman\u003cbr data-start=\"128\" data-end=\"131\"\u003e\u003cstrong data-start=\"131\" data-end=\"161\"\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1970, Rock, Folk Rock, London, England\u003cbr data-start=\"200\" data-end=\"203\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"203\" data-end=\"216\"\u003eMatrix #:\u003c\/strong\u003e SP-4280\u003cbr data-start=\"224\" data-end=\"227\"\u003e\u003cstrong data-start=\"227\" data-end=\"241\"\u003eCondition:\u003c\/strong\u003e EX (LM)\u003c\/p\u003e\n\u003cp data-start=\"251\" data-end=\"270\"\u003e\u003cstrong data-start=\"251\" data-end=\"270\"\u003eCultural Facts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"272\" data-end=\"704\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\n\u003cli data-section-id=\"1dp76h8\" data-start=\"272\" data-end=\"414\"\u003e\n\u003cstrong data-start=\"275\" data-end=\"297\"\u003ePersonal Struggle:\u003c\/strong\u003e Stevens nearly died from tuberculosis in 1969, spending months hospitalized, which reshaped his outlook and writing.\u003c\/li\u003e\n\u003cli data-section-id=\"ngivri\" data-start=\"416\" data-end=\"552\"\u003e\n\u003cstrong data-start=\"419\" data-end=\"439\"\u003eMedia Narrative:\u003c\/strong\u003e His shift toward introspective themes marked a break from earlier pop expectations, redefining his public image.\u003c\/li\u003e\n\u003cli data-section-id=\"1md5wgr\" data-start=\"554\" data-end=\"704\" data-is-last-node=\"\"\u003e\n\u003cstrong data-start=\"557\" data-end=\"575\"\u003eNotable Myths:\u003c\/strong\u003e His later departure from music was often misunderstood as sudden, but it followed years of spiritual searching and life changes.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e4\/1\/26 LM\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e11\/30\/23 ob 11\/4\/2025 CC\u003c\/span\u003e\u003c\/p\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44838274793659,"sku":"","price":31.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-2860420-1304381580.jpg?v=1701394058"},{"product_id":"ten-years-after-recorded-live-1","title":"Ten Years After – Recorded Live","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTitle:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Ten Years After - Recorded Live\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 1973, Blues Rock, Hard Rock, British Blues, Nottingham, England 10\/26\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMatrix #:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e C2X32288\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Light Crackles, Good Overall (CK) | Members: Ten Years After (N\/A) | Producer: Ten Years After\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCultural Facts:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eThe “Official Bootleg”:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e The band released \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eRecorded Live\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e partly as an answer to the poor-quality bootlegs circulating among fans. The original notes emphasized that there were no overdubs or studio fixes - what you hear is what actually happened onstage. \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eRecorded With the Stones' Truck:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e The shows were captured over four nights in Amsterdam, Rotterdam, Frankfurt and Paris using the Rolling Stones Mobile Studio, the same traveling recording setup used for numerous major rock albums and concerts of the era. \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eAlvin Lee Was Already a Guitar Folk Hero:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Lee's blistering performance of “I'm Going Home” at Woodstock had turned him into an international guitar star almost overnight. By the time these 1973 concerts were recorded, Ten Years After's live reputation had become so huge that the band spent much of the year touring Europe, America and Japan.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44838821331131,"sku":"","price":19.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-9933996-1488804329-1479.jpg?v=1701477959"},{"product_id":"the-beach-boys-in-concert","title":"The Beach Boys – In Concert","description":"\u003cp data-start=\"82\" data-end=\"273\"\u003e\u003cstrong data-start=\"82\" data-end=\"92\"\u003eTitle:\u003c\/strong\u003e The Beach Boys – In Concert\u003cbr data-start=\"120\" data-end=\"123\"\u003e\u003cstrong data-start=\"123\" data-end=\"153\"\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1973, Rock, Pop Rock, Hawthorne, California\u003cbr data-start=\"197\" data-end=\"200\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"200\" data-end=\"213\"\u003eMatrix #:\u003c\/strong\u003e 2RS 6484\u003cbr data-start=\"222\" data-end=\"225\"\u003e\u003cstrong data-start=\"225\" data-end=\"239\"\u003eCondition:\u003c\/strong\u003e EX, sounds great, looks good (CC)\u003c\/p\u003e\n\u003cp data-start=\"275\" data-end=\"294\"\u003e\u003cstrong data-start=\"275\" data-end=\"294\"\u003eCultural Facts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"296\" data-end=\"770\" data-is-only-node=\"\" data-is-last-node=\"\"\u003e\n\u003cli data-section-id=\"zvcih8\" data-start=\"296\" data-end=\"448\"\u003e\n\u003cstrong data-start=\"299\" data-end=\"314\"\u003eBand Drama:\u003c\/strong\u003e By this era, Brian Wilson had largely withdrawn from touring, leaving the band to redefine itself without its primary creative force.\u003c\/li\u003e\n\u003cli data-section-id=\"q7z7dc\" data-start=\"450\" data-end=\"609\"\u003e\n\u003cstrong data-start=\"453\" data-end=\"475\"\u003ePersonal Struggle:\u003c\/strong\u003e Brian Wilson was dealing with severe mental health issues and substance abuse, isolating himself while the band continued performing.\u003c\/li\u003e\n\u003cli data-section-id=\"7prurn\" data-start=\"611\" data-end=\"770\" data-is-last-node=\"\"\u003e\n\u003cstrong data-start=\"614\" data-end=\"634\"\u003eMedia Narrative:\u003c\/strong\u003e Critics began reassessing the band beyond surf hits, recognizing their live musicianship during a period of changing public perception.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e12\/2\/23, CK 3\/28\/2026 CC\u003c\/span\u003e\u003c\/p\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44839139803323,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-11009004-1508154431-4257.jpg?v=1701562314"},{"product_id":"roger-daltrey-under-a-raging-moon-1","title":"Roger Daltrey – Under A Raging Moon","description":"\u003cp class=\"\" data-end=\"62\" data-start=\"0\"\u003eYear, Genre: 1985, Classic Rock\u003cbr data-end=\"26\" data-start=\"23\"\u003eMatrix #: 78 12691\u003cbr data-is-only-node=\"\" data-end=\"47\" data-start=\"44\"\u003eCondition: Near Mint\u003c\/p\u003e\n\u003cp class=\"\" data-end=\"326\" data-start=\"64\"\u003eDescription: Roger Daltrey’s solo tribute to Keith Moon, this album balances anthemic stadium rock with emotional depth. Featuring powerhouse drummers like Cozy Powell and Stewart Copeland, it's a must-have for fans of The Who and classic '80s rock production.\u003c\/p\u003e\n\u003cp class=\"\" data-end=\"386\" data-start=\"328\"\u003ePrice Suggestions:\u003cbr data-end=\"349\" data-start=\"346\"\u003eNM: $12–$16\u003cbr data-is-only-node=\"\" data-end=\"363\" data-start=\"360\"\u003eVG+: $8–$12\u003cbr data-end=\"377\" data-start=\"374\"\u003eVG: $5–$8\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\/2\/23, CK edited 5\/12\/25 \u003c\/span\u003e\u003c\/p\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44839157170363,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-3878942-1347832574-9337.jpg?v=1701568861"},{"product_id":"greenslade-greenslade-1","title":"Greenslade – Greenslade","description":"\u003cp\u003e1973 Rock\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBS 2698\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLP, gatefold\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Greenslade\" by Greenslade (1973) is a prog-rock gem. The eponymous debut showcases the band's instrumental prowess, with Dave Greenslade's keyboards leading the charge. Tracks like \"Feathered Friends\" and \"Drowning Man\" establish Greenslade as a force in the progressive rock landscape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Some Crackles And Pops, Not Too Bad\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\/5\/23, CK\u003c\/span\u003e\u003c\/p\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44840758968507,"sku":"","price":27.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-12592982-1538235355-5402.jpg?v=1701811619"},{"product_id":"buddy-miles-a-message-to-the-people","title":"Buddy Miles- A Message To The People","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Buddy Miles - A Message To The People\u003cbr\u003e\u003cstrong\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1971, Funk, Psychedelic Soul Rock, Omaha, Nebraska 8\/26\u003cbr\u003e\u003cstrong\u003eMatrix #:\u003c\/strong\u003e SRM-1608\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e VG+ (LM) | Members: Buddy M (47' - 08')\u003cbr\u003e\u003cstrong\u003eCultural Facts:\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003ePersonal Struggle:\u003c\/strong\u003e Miles carried the weight of being a Black rock drummer in a scene that often treated heavy guitar music as white territory, even after his Hendrix connection.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFamily Ties:\u003c\/strong\u003e His Band of Gypsys work with Jimi Hendrix gave him lasting credibility, but also meant every solo move lived under that huge shadow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolitical Science:\u003c\/strong\u003e A Message To The People came from the early-70s moment when soul, funk, rock, and Black political language were all pushing toward louder public statements.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e8\/5\/26 LM\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e12\/5\/23 \u003c\/span\u003eAH 1\/17\/2026 CC\u003c\/p\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44840873427131,"sku":"","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-3531235-1334101155.jpg?v=1701827608"},{"product_id":"bad-company-desolation-angels-1","title":"Bad Company – Desolation Angels","description":"\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-(--sticky-padding-top)\" dir=\"auto\"\u003e\u003c\/section\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp\u003e\u003cstrong\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Bad Company - Desolation Angels\u003cbr\u003e\u003cstrong\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1979, Rock, Hard Rock and Blues Rock, London, England 8\/26\u003cbr\u003e\u003cstrong\u003eMatrix #:\u003c\/strong\u003e SS 8506\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e VG (LM) | Members: Paul R (49' - ), Mick R (44' - ), Simon K (49' - ), Boz B (46' - 06')\u003cbr\u003e\u003cstrong\u003eCultural Facts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eNotable Track:\u003c\/strong\u003e “Rock ’n’ Roll Fantasy” became one of Bad Company’s defining songs, pairing Paul Rodgers’ commanding vocal with layered guitars and a pulsing synthesizer rhythm.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePersonal Struggle:\u003c\/strong\u003e Years of constant recording and touring had left the band exhausted, and growing tension among the members contributed to longer breaks and a gradual loss of momentum after this album.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLiterary Ties:\u003c\/strong\u003e The title Desolation Angels was borrowed from Jack Kerouac’s 1965 novel, connecting the album’s restless mood with the Beat writer’s themes of isolation and life on the road.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e8\/1\/26 LM\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e6\/18\/24 EK\u003c\/span\u003e\u003c\/p\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44847354478779,"sku":"","price":16.89,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-941327-1290043633_5d03a010-f5dd-4965-8393-7c8b69acb4b7.jpg?v=1702066982"},{"product_id":"steely-dan-aja-1","title":"Steely Dan - Aja [41]","description":"\u003cp\u003e\u003cstrong\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eTitle:\u003c\/strong\u003e Steely Dan - Aja\u003cbr\u003e\n\u003cstrong\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1977, Jazz Rock, Yacht Rock, Los Angeles, California 10\/26\u003cbr\u003e\n\u003cstrong\u003eMatrix #:\u003c\/strong\u003e AA-1006 (ABC Records, runout AA-1006 (RE-2)-B)\u003cbr\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Ex (LM) | \u003cstrong\u003eMembers:\u003c\/strong\u003e Donald F (48' - ), Walter B (50' - 17') | \u003cstrong\u003eProducer:\u003c\/strong\u003e Gary Katz\u003cbr\u003e\n\u003cstrong\u003eCultural Facts:\u003c\/strong\u003e      [41]\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Seventh Guitarist Heard It on the Radio:\u003c\/strong\u003e Walter Becker, Robben Ford, Larry Carlton, Rick Derringer and others all took a shot at the short solo on \"Peg\" and got turned down. Jay Graydon was roughly the seventh player called, worked on it for hours after Fagen told him to quit the jazz licks and play the blues, and left with no idea whether they would use it. He found out it made the record when he heard \"Peg\" on the radio.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA Name for the Losers:\u003c\/strong\u003e Fagen has said the title came from college football. If a powerhouse like Alabama got a grand name like the Crimson Tide, then the song's loser hero deserved a name too, so they borrowed it from the Demon Deacons of Wake Forest, a team that lost a lot. That is the joke inside the line about having a name when I lose.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Model on the Cover:\u003c\/strong\u003e The striking cover photo is Japanese model Sayoko Yamaguchi, shot by fashion photographer Hideki Fujii. She was one of the first Asian models to become a star of the Paris runways in the 1970s, with a blunt black bob that became her trademark.\u003c\/li\u003e\n\u003c\/ol\u003e\n","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44847795830971,"sku":"","price":22.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/ealr5r5q30xr9yunvvsm7kf4l.jpg?v=1793156855"},{"product_id":"david-bowie-low-2","title":"David Bowie – Low","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e David Bowie - Low\u003cbr\u003e\u003cstrong\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1977, Rock, Art Rock and Experimental Rock, London, England 8\/26\u003cbr\u003e\u003cstrong\u003eMatrix #:\u003c\/strong\u003e CPL1-2030\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e EX (LM) | Members: David B (47' - 16')\u003cbr\u003e\u003cstrong\u003eCultural Facts:\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eCareer Turning:\u003c\/strong\u003e Low opened Bowie’s celebrated Berlin Trilogy, abandoning conventional rock arrangements for fragmented songs, electronic textures, and atmospheric instrumentals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePersonal Struggle:\u003c\/strong\u003e Bowie relocated to Europe while trying to escape severe cocaine addiction and paranoia that had overwhelmed his life during his Los Angeles years.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduction Style:\u003c\/strong\u003e Tony Visconti and Brian Eno helped shape the album through synthesizers, tape treatments, and heavily processed drums, especially across its largely instrumental second side.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e8\/1\/26 LM\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003e11\/3\/25 TC  \u003c\/strong\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\" style=\"font-size: 0.875rem;\"\u003eSold 11\/24\/25\u003c\/span\u003e\u003c\/p\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44852758544571,"sku":"","price":42.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-1671973-1616168752-2325.jpg?v=1702685005"},{"product_id":"simon-garfunkel-bookends-1","title":"Simon \u0026 Garfunkel – Bookends","description":"\u003cdiv class=\"\" data-turn-id-container=\"5ae63821-c0fe-4f9a-b888-c206cc9b420f\" data-is-intersecting=\"true\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-(--sticky-padding-top)\" dir=\"auto\" data-turn-id=\"5ae63821-c0fe-4f9a-b888-c206cc9b420f\" data-turn-id-container=\"5ae63821-c0fe-4f9a-b888-c206cc9b420f\" data-testid=\"conversation-turn-649\" data-turn=\"user\"\u003e\u003c\/section\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-turn-id-container=\"request-6a2b067e-e0dc-83e8-8cb4-9983e9c4cdc6-10\" data-is-intersecting=\"true\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a2b067e-e0dc-83e8-8cb4-9983e9c4cdc6-10\" data-turn-id-container=\"request-6a2b067e-e0dc-83e8-8cb4-9983e9c4cdc6-10\" data-testid=\"conversation-turn-650\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-15 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv data-conversation-screenshot-content=\"\" class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"44e3fd66-0fd8-46de-9628-002be3f29c0f\" data-turn-start-message=\"true\" dir=\"auto\" data-message-model-slug=\"gpt-5-5-thinking\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"337\"\u003e\u003cstrong data-start=\"0\" data-end=\"80\"\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\u003cstrong data-start=\"81\" data-end=\"91\"\u003eTitle:\u003c\/strong\u003e Simon \u0026amp; Garfunkel - Bookends\u003cbr\u003e\u003cstrong data-start=\"121\" data-end=\"151\"\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1968, Folk Rock, Baroque Folk Pop, Queens, New York 7\/26\u003cbr\u003e\u003cstrong data-start=\"209\" data-end=\"222\"\u003eMatrix #:\u003c\/strong\u003e Columbia KCS 9529\u003cbr\u003e\u003cstrong data-start=\"241\" data-end=\"255\"\u003eCondition:\u003c\/strong\u003e VG+ (LM) | Members: Paul S (41' - Alive), Art G (41' - Alive)\u003cbr\u003e\u003cstrong data-start=\"318\" data-end=\"337\"\u003eCultural Facts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"338\" data-end=\"903\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\n\u003cli data-section-id=\"pi5g29\" data-start=\"338\" data-end=\"535\"\u003e\n\u003cstrong data-start=\"341\" data-end=\"363\"\u003ePersonal Struggle:\u003c\/strong\u003e Simon and Garfunkel were childhood friends with growing creative tension, and the emotional distance between them helped set up the breakup that followed their next album.\u003c\/li\u003e\n\u003cli data-section-id=\"vwg1z3\" data-start=\"536\" data-end=\"721\"\u003e\n\u003cstrong data-start=\"539\" data-end=\"555\"\u003eStudio Lore:\u003c\/strong\u003e Bookends blends folk harmonies with studio experimentation, spoken-word fragments, orchestration, and darker songs about aging, memory, and American disillusionment.\u003c\/li\u003e\n\u003cli data-section-id=\"1prxep2\" data-start=\"722\" data-end=\"903\" data-is-last-node=\"\"\u003e\n\u003cstrong data-start=\"725\" data-end=\"745\"\u003eMedia Narrative:\u003c\/strong\u003e With “Mrs. Robinson” tied to The Graduate, the duo became voices of late-60s youth culture while also writing about loneliness, suburbia, and lost innocence.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e7\/17\/26 LM\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e12\/18\/23 ob 2\/17\/2026 CC\u003c\/span\u003e\u003c\/p\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44857518620859,"sku":"","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-15125323-1587009669-5176.jpg?v=1702943984"},{"product_id":"the-police-synchronicity-1","title":"The Police – Synchronicity","description":"\u003cp data-end=\"80\" data-start=\"0\"\u003e\u003cstrong data-end=\"80\" data-start=\"0\"\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"251\" data-start=\"82\"\u003e\u003cstrong data-end=\"92\" data-start=\"82\"\u003eTitle:\u003c\/strong\u003e The Police – Synchronicity\u003cbr data-end=\"122\" data-start=\"119\"\u003e\u003cstrong data-end=\"152\" data-start=\"122\"\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1983,  New Wave, London, England\u003cbr data-is-only-node=\"\" data-end=\"193\" data-start=\"190\"\u003e\u003cstrong data-end=\"206\" data-start=\"193\"\u003eMatrix #:\u003c\/strong\u003e SP-3735\u003cbr data-end=\"217\" data-start=\"214\"\u003e\u003cstrong data-end=\"231\" data-start=\"217\"\u003eCondition:\u003c\/strong\u003e VG+, sounds great\u003c\/p\u003e\n\u003cp data-end=\"274\" data-start=\"253\"\u003e\u003cstrong data-end=\"272\" data-start=\"253\"\u003eCultural Facts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"820\" data-start=\"275\"\u003e\n\u003cli data-end=\"463\" data-start=\"275\" data-section-id=\"ialwfn\"\u003e\n\u003cp data-end=\"463\" data-start=\"278\"\u003e\u003cstrong data-end=\"292\" data-start=\"278\"\u003eBand Drama\u003c\/strong\u003e: Recorded with the band barely tolerating each other, often working separately and communicating through producers, with the breakup basically underway during sessions.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"642\" data-start=\"464\" data-section-id=\"cf588d\"\u003e\n\u003cp data-end=\"642\" data-start=\"467\"\u003e\u003cstrong data-end=\"486\" data-start=\"467\"\u003eMedia Narrative\u003c\/strong\u003e: The album’s success locked them into stadium-scale fame, and the press treated every interview like a referendum on whether they were still a real band.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-is-last-node=\"\" data-end=\"820\" data-start=\"643\" data-section-id=\"10gv9sc\"\u003e\n\u003cp data-is-last-node=\"\" data-end=\"820\" data-start=\"646\"\u003e\u003cstrong data-end=\"667\" data-start=\"646\"\u003ePersonal Struggle\u003c\/strong\u003e: Sting has spoken about the strain of sudden global pressure and isolation, and how the pace and control battles pushed him into burnout and withdrawal.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-is-last-node=\"\" data-end=\"820\" data-start=\"643\" data-section-id=\"10gv9sc\"\u003e3\/17\/26 TC\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44857668075707,"sku":"","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-8906262-1512158055-2015.jpg?v=1702944705"},{"product_id":"various-shadow-of-reality","title":"Various – Shadow Of Reality","description":"\u003cp\u003e2021 Hard Rock\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDCR-001\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLP, Comp, Limited Edition, Black \u0026amp; Purple Fade Vinyl\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA tribute album celebrating the 50th anniversary of Master of Reality. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Sealed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\/19\/23, CK\u003c\/span\u003e\u003c\/p\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44866338029755,"sku":"","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-21947824-1643505488-1119.jpg?v=1703022016"},{"product_id":"jefferson-starship-red-octopus-1","title":"Jefferson Starship – Red Octopus","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTitle:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Jefferson Starship - Red Octopus\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 1975, AOR, Psychedelic Rock, Soft Rock, San Francisco, California 10\/26\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMatrix #:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e BFL1-0999\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e VG+ (SC) | Members: Jefferson Starship (N\/A) | Producer: Larry Cox, Jefferson Starship\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCultural Facts:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eGrace Slick Came Back:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Grace Slick had already been through Jefferson Airplane's spectacular rise and collapse when she joined Jefferson Starship. \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eRed Octopus\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e reunited her vocally with Marty Balin, restoring one of the defining male-female vocal combinations of the original San Francisco psychedelic scene. \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eMarty Balin's Comeback Song:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Balin had helped found Jefferson Airplane but walked away in 1971, exhausted by the band's conflicts and lifestyle. He returned as a guest for “Caroline” in 1974, then rejoined fully and brought in “Miracles,” the romantic ballad that became Jefferson Starship's biggest hit to that point. \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003ePapa John Was Nearly 60:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Violinist Papa John Creach was already in his late 50s when he began playing with Jefferson Airplane and Hot Tuna, an extraordinary age gap in the youth-dominated psychedelic scene. He stayed with Jefferson Starship into the \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eRed Octopus\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e era, bringing blues and jazz experience stretching back decades before San Francisco's Summer of Love.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44885754446011,"sku":"","price":16.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-10421795-1691432673-8379.jpg?v=1703290779"},{"product_id":"steely-dan-pretzel-logic-1","title":"Steely Dan - Pretzel Logic [43]","description":"\u003cp\u003e\u003cstrong\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eTitle:\u003c\/strong\u003e Steely Dan - Pretzel Logic\u003cbr\u003e\n\u003cstrong\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1974, Jazz Rock, Art Rock, Los Angeles, California 10\/26\u003cbr\u003e\n\u003cstrong\u003eMatrix #:\u003c\/strong\u003e AB 808 (ABC Records, label AB 808 A)\u003cbr\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Ex (LM) | \u003cstrong\u003eMembers:\u003c\/strong\u003e Donald F (48' - ), Walter B (50' - 17') | \u003cstrong\u003eProducer:\u003c\/strong\u003e Gary Katz\u003cbr\u003e\n\u003cstrong\u003eCultural Facts:\u003c\/strong\u003e      [43]\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eRikki Was Real:\u003c\/strong\u003e Writer and artist Rikki Ducornet has said she met Fagen at a Bard College faculty party when she was married and expecting a baby. He gave her his phone number, she never called, and years later she heard herself turned into \"Rikki Don't Lose That Number,\" the band's biggest hit.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChevy Chase on Drums:\u003c\/strong\u003e Back at Bard College, one of Becker and Fagen's early bands had a future Saturday Night Live star behind the kit. Chevy Chase played drums with them for a while in a group called the Leather Canary, years before either side got famous.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGus Mahler and Tristan Fabriani:\u003c\/strong\u003e Before Steely Dan, Becker and Fagen earned a living in the touring band of Jay and the Americans, playing oldies under fake names: Becker went by Gus Mahler and Fagen by Tristan Fabriani. They also played on the group's 1970 hit \"Walkin' in the Rain,\" and the Fabriani name later turned up signing Steely Dan liner notes.\u003c\/li\u003e\n\u003c\/ol\u003e\n","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":44987596865723,"sku":"","price":25.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/0nwwd47juyjved96ock7mflsc.jpg?v=1793156896"},{"product_id":"cream-live-cream","title":"Cream – Live Cream","description":"\u003cp\u003e1970, Blues Rock\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRS-1-3014\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: supper clean\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReleased in 1970, \u003cem\u003eLive Cream\u003c\/em\u003e captures the raw energy and improvisational brilliance of Cream’s live performances. 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